80 bars of 4/4 at 130 BPM, about 2:29 of playing, on crash, hi-hat, snare, high tom, mid tom and kick.
The beat the song is built on is one bar, played through bars 57-59, 61-63 and 65-67, and 3 more places -- 23.1% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
2 fills to learn, played 6 times: bars 20, 24, 53, 54, 55 and 56.
80 bars across 8 sections: 60 keep time, 6 are fills, 2 are stops and 2 are silent. The longest unbroken stretch of time is bars 58-79.
130 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
58 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 36 out of 100; the rest of the number is everything around it.
80 bars, about 2:29 at the written tempo. The course breaks it into 26 exercises over 8 sittings, about 27 minutes each.
crash, hi-hat, snare, high tom, mid tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
2 fills to learn, played 6 times: bars 20, 24, 53, 54, 55 and 56.