80 bars of 4/4 at 125 BPM, about 2:34 of playing, on crash, hi-hat, snare and kick.
The beat the song is built on is a 2-bar phrase, played through bars 9-10, 13-14 and 17-18, and 9 more places -- 30% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
3 fills to learn, played 6 times: bars 8, 32, 36, 48, 72 and 76.
80 bars across 6 sections: 68 keep time and 6 are fills. The longest unbroken stretch of time is bars 10-31.
125 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
59 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 54 out of 100; the rest of the number is everything around it.
80 bars, about 2:34 at the written tempo. The course breaks it into 18 exercises over 6 sittings, about 25 minutes each.
crash, hi-hat, snare and kick. Nothing in the part asks for anything else.
3 fills to learn, played 6 times: bars 8, 32, 36, 48, 72 and 76.