250 bars of 4/4 at 116 BPM, about 8:06 of playing, on crash, ride, hi-hat, snare, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 74-75, 77-78 and 93-94, and 6 more places -- 6.8% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
20 fills to learn, played 104 times: bars 16, 17, 18, 19, 20, 21 and 98 more.
16 more fills are written out on the fills page.
250 bars across 22 sections: 99 keep time, 104 are fills, 16 are stops and 16 are silent. The longest unbroken stretch of time is bars 1-12.
116 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
52 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 37 out of 100; the rest of the number is everything around it.
250 bars, about 8:06 at the written tempo. The course breaks it into 75 exercises over 23 sittings, about 26 minutes each.
crash, ride, hi-hat, snare, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
20 fills to learn, played 104 times: bars 16, 17, 18, 19, 20, 21 and 98 more.