162 bars of 4/4 at 135 BPM, about 4:46 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 1-7, 31 and 33-37, and 7 more places -- 12.6% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
21 fills to learn, played 36 times: bars 8, 12, 16, 28, 32, 38 and 30 more.
17 more fills are written out on the fills page.
165 bars across 19 sections: 81 keep time, 36 are fills, 25 are stops and 6 are silent. The longest unbroken stretch of time is bars 131-139.
135 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
74 out of 100: demanding, mostly on the independence between the hands and the feet. The beat itself is 41 out of 100; the rest of the number is everything around it.
162 bars, about 4:46 at the written tempo. The course breaks it into 65 exercises over 20 sittings, about 26 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
21 fills to learn, played 36 times: bars 8, 12, 16, 28, 32, 38 and 30 more.