109 bars of 4/4 at 138 BPM, about 3:10 of playing, on crash, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 11-13, 31-37 and 39-40, and 6 more places -- 32% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
11 fills to learn, played 17 times: bars 10, 14, 30, 38, 42, 46 and 11 more.
7 more fills are written out on the fills page.
109 bars across 12 sections: 59 keep time, 17 are fills, 12 are stops and 9 are silent. The longest unbroken stretch of time is bars 51-65.
138 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
48 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 40 out of 100; the rest of the number is everything around it.
109 bars, about 3:10 at the written tempo. The course breaks it into 35 exercises over 8 sittings, about 29 minutes each.
crash, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
11 fills to learn, played 17 times: bars 10, 14, 30, 38, 42, 46 and 11 more.