123 bars of 4/4 at 110 BPM, about 4:28 of playing, on crash, ride, hi-hat, snare, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 5-7, 9-11 and 47, and 7 more places -- 19.2% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
11 fills to learn, played 25 times: bars 4, 8, 28, 36, 48, 50 and 19 more.
7 more fills are written out on the fills page.
123 bars across 17 sections: 75 keep time, 25 are fills, 1 is a stop and 3 are silent. The longest unbroken stretch of time is bars 38-47.
110 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
51 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 30 out of 100; the rest of the number is everything around it.
123 bars, about 4:28 at the written tempo. The course breaks it into 44 exercises over 12 sittings, about 26 minutes each.
crash, ride, hi-hat, snare, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
11 fills to learn, played 25 times: bars 4, 8, 28, 36, 48, 50 and 19 more.