221 bars of 4/4 at 140 BPM, about 6:31 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 18-23, 66-69 and 71-75, and 6 more places -- 23.2% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
10 fills to learn, played 20 times: bars 31, 32, 35, 70, 77, 78 and 14 more.
6 more fills are written out on the fills page.
221 bars across 25 sections: 139 keep time, 20 are fills, 7 are stops and 36 are silent. The longest unbroken stretch of time is bars 37-64.
140 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
50 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 37 out of 100; the rest of the number is everything around it.
221 bars, about 6:31 at the written tempo. The course breaks it into 59 exercises over 16 sittings, about 26 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
10 fills to learn, played 20 times: bars 31, 32, 35, 70, 77, 78 and 14 more.