126 bars of 4/4 at 137 BPM, about 3:41 of playing, on crash, hi-hat, snare, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 27, 29 and 31, and 20 more places -- 25.5% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
16 fills to learn, played 27 times: bars 6, 10, 18, 20, 22, 26 and 21 more.
12 more fills are written out on the fills page.
126 bars across 15 sections: 60 keep time, 27 are fills, 13 are stops and 20 are silent. The longest unbroken stretch of time is bars 11-17.
137 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
47 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 28 out of 100; the rest of the number is everything around it.
126 bars, about 3:41 at the written tempo. The course breaks it into 44 exercises over 10 sittings, about 29 minutes each.
crash, hi-hat, snare, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
16 fills to learn, played 27 times: bars 6, 10, 18, 20, 22, 26 and 21 more.