121 bars of 4/4 at 130 BPM, about 3:43 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is a 2-bar phrase, played through bars 2-4, 10-12 and 42-44, and 3 more places -- 15.7% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
14 fills to learn, played 42 times: bars 1, 3, 5, 11, 13, 17 and 36 more.
10 more fills are written out on the fills page.
121 bars across 20 sections: 47 keep time, 42 are fills, 6 are stops and 6 are silent. The longest unbroken stretch of time is bars 59-64.
130 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
95 out of 100. Hard, and what makes it hard is how many notes a second it asks for. The beat itself is 100 out of 100; the rest of the number is everything around it.
121 bars, about 3:43 at the written tempo. The course breaks it into 46 exercises over 18 sittings, about 24 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
14 fills to learn, played 42 times: bars 1, 3, 5, 11, 13, 17 and 36 more.