116 bars of 4/4 at 140 BPM, about 3:12 of playing, on crash, hi-hat, snare and kick.
The beat the song is built on is a 2-bar phrase, played through bars 94-95, 97-98 and 100-101, and 4 more places -- 13.7% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
8 fills to learn, played 23 times: bars 18, 19, 20, 21, 22, 23 and 17 more.
6 more fills are written out on the fills page.
133 bars across 10 sections: 63 keep time, 23 are fills, 5 are stops and 31 are silent. The longest unbroken stretch of time is bars 96-110.
140 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
59 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 50 out of 100; the rest of the number is everything around it.
116 bars, about 3:12 at the written tempo. The course breaks it into 38 exercises over 13 sittings, about 25 minutes each.
crash, hi-hat, snare and kick. Nothing in the part asks for anything else.
8 fills to learn, played 23 times: bars 18, 19, 20, 21, 22, 23 and 17 more.