111 bars of 4/4 at a walking 90 BPM, 4:56 of playing, on crash, hi-hat, snare, kick and hi-hat foot.
53 out of 100, a step up from a first song, and the work is in how much of it falls off the beat.
silence through bars 1-3, hi-hat through bars 4-6, silence through bars 7-12, hi-hat through bars 13-15, silence through bars 16-17 and hi-hat through bars 18-24, and 10 more changes after that.
The beat the song is built on is one bar, played through bars 19-24, 40-42 and 49-51, and 2 more places -- 21% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
19
1e+a2e+a3e+a4e+a
HH |xxxxxxxxxxxxxxxx|There are no fills to speak of: the part holds one beat the whole way through.
It cuts the song into 23 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
90 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
53 out of 100, a step up from a first song, and the work is in how much of it falls off the beat. The beat itself is 29 out of 100; the rest of the number is everything around it.
111 bars, about 4:56 at the written tempo. The course breaks it into 23 exercises over 11 sittings, about 24 minutes each.
crash, hi-hat, snare, kick and hi-hat foot. Nothing in the part asks for anything else.