111 bars of 4/4 at a walking 90 BPM, 4:56 of playing, on crash, hi-hat, snare, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 19-24, 40-42 and 49-51, and 2 more places -- 21% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
111 bars across 7 sections: 98 keep time and 11 are silent. The longest unbroken stretch of time is bars 18-89.
90 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
53 out of 100, a step up from a first song, and the work is in how much of it falls off the beat. The beat itself is 29 out of 100; the rest of the number is everything around it.
111 bars, about 4:56 at the written tempo. The course breaks it into 23 exercises over 11 sittings, about 24 minutes each.
crash, hi-hat, snare, kick and hi-hat foot. Nothing in the part asks for anything else.