59 bars of 4/4 at a walking 78 BPM, 3:02 of playing, on crash, ride, hi-hat, snare, mid tom and kick.
The beat the song is built on is one bar, played through bars 5-11, 23-25 and 27, and 2 more places -- 24.6% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
8 fills to learn, played 9 times: bars 12, 20, 22, 30, 34, 37 and 3 more.
4 more fills are written out on the fills page.
59 bars across 7 sections: 39 keep time, 9 are fills, 2 are stops and 2 are silent. The longest unbroken stretch of time is bars 49-59.
78 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
50 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 23 out of 100; the rest of the number is everything around it.
59 bars, about 3:02 at the written tempo. The course breaks it into 27 exercises over 8 sittings, about 26 minutes each.
crash, ride, hi-hat, snare, mid tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
8 fills to learn, played 9 times: bars 12, 20, 22, 30, 34, 37 and 3 more.