130 bars of 4/4 at 115 BPM, about 4:31 of playing, on crash, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 5-10, 46-52 and 54-60, and 2 more places -- 27% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
3 fills to learn, played 8 times: bars 28, 44, 61, 68, 69, 85 and 2 more.
130 bars across 9 sections: 103 keep time, 8 are fills, 8 are stops and 4 are silent. The longest unbroken stretch of time is bars 112-128.
115 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
54 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 46 out of 100; the rest of the number is everything around it.
130 bars, about 4:31 at the written tempo. The course breaks it into 23 exercises over 7 sittings, about 23 minutes each.
crash, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
3 fills to learn, played 8 times: bars 28, 44, 61, 68, 69, 85 and 2 more.