100 bars of 4/4 at 124 BPM, about 3:13 of playing, on crash, ride, hi-hat, snare, mid tom and kick.
The beat the song is built on is one bar, played through bars 5, 7 and 10-16, and 5 more places -- 21.2% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
6 fills to learn, played 16 times: bars 22, 23, 31, 32, 33, 48 and 10 more.
2 more fills are written out on the fills page.
100 bars across 10 sections: 70 keep time, 16 are fills, 2 are stops and 1 is silent. The longest unbroken stretch of time is bars 2-21.
124 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
50 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 36 out of 100; the rest of the number is everything around it.
100 bars, about 3:13 at the written tempo. The course breaks it into 35 exercises over 9 sittings, about 29 minutes each.
crash, ride, hi-hat, snare, mid tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
6 fills to learn, played 16 times: bars 22, 23, 31, 32, 33, 48 and 10 more.