135 bars of 4/4 at 124 BPM, about 4:21 of playing, on crash, hi-hat, snare, high tom, mid tom and kick.
The beat the song is built on is one bar, played through bars 33, 35 and 37, and 9 more places -- 18.6% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
5 fills to learn, played 9 times: bars 29, 57, 65, 73, 91, 95 and 3 more.
1 more fill is written out on the fills page.
135 bars across 18 sections: 87 keep time, 9 are fills, 3 are stops and 17 are silent. The longest unbroken stretch of time is bars 6-23.
124 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
61 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 30 out of 100; the rest of the number is everything around it.
135 bars, about 4:21 at the written tempo. The course breaks it into 45 exercises over 15 sittings, about 25 minutes each.
crash, hi-hat, snare, high tom, mid tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
5 fills to learn, played 9 times: bars 29, 57, 65, 73, 91, 95 and 3 more.