133 bars of 4/4 at 126 BPM, about 4:12 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 2-4, 6-7 and 10-12, and 11 more places -- 18.9% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
14 fills to learn, played 40 times: bars 8, 9, 17, 21, 25, 28 and 34 more.
10 more fills are written out on the fills page.
133 bars across 14 sections: 74 keep time, 40 are fills, 2 are stops and 1 is silent. The longest unbroken stretch of time is bars 2-7.
126 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
74 out of 100: demanding, mostly on the independence between the hands and the feet. The beat itself is 58 out of 100; the rest of the number is everything around it.
133 bars, about 4:12 at the written tempo. The course breaks it into 50 exercises over 16 sittings, about 27 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
14 fills to learn, played 40 times: bars 8, 9, 17, 21, 25, 28 and 34 more.