91 bars of 4/4 at 145 BPM, about 2:31 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is a 2-bar phrase, played through bars 1-3, 5-6 and 9, and 3 more places -- 14.4% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
3 fills to learn, played 3 times: bars 15, 20 and 33.
91 bars across 8 sections: 73 keep time, 3 are fills, 5 are stops and 1 is silent. The longest unbroken stretch of time is bars 70-81.
145 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
76 out of 100: demanding, mostly on the independence between the hands and the feet. The beat itself is 57 out of 100; the rest of the number is everything around it.
91 bars, about 2:31 at the written tempo. The course breaks it into 31 exercises over 13 sittings, about 23 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
3 fills to learn, played 3 times: bars 15, 20 and 33.