161 bars of 4/4 at 140 BPM, about 4:36 of playing, on crash, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 11-14, 16-19 and 21-24, and 10 more places -- 32.5% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
8 fills to learn, played 20 times: bars 4, 5, 9, 10, 35, 39 and 14 more.
4 more fills are written out on the fills page.
161 bars across 12 sections: 125 keep time, 20 are fills, 1 is a stop and 1 is silent. The longest unbroken stretch of time is bars 12-34.
140 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
58 out of 100, a step up from a first song, and the work is in how many notes a second it asks for. The beat itself is 31 out of 100; the rest of the number is everything around it.
161 bars, about 4:36 at the written tempo. The course breaks it into 36 exercises over 10 sittings, about 26 minutes each.
crash, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
8 fills to learn, played 20 times: bars 4, 5, 9, 10, 35, 39 and 14 more.