134 bars of 4/4 at 118 BPM, about 4:33 of playing, on crash, ride, hi-hat, snare, mid tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 29, 31 and 33-41, and 13 more places -- 21.5% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
16 fills to learn, played 40 times: bars 4, 12, 20, 27, 28, 44 and 34 more.
12 more fills are written out on the fills page.
134 bars across 16 sections: 71 keep time, 40 are fills, 1 is a stop and 4 are silent. The longest unbroken stretch of time is bars 33-43.
118 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
63 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 48 out of 100; the rest of the number is everything around it.
134 bars, about 4:33 at the written tempo. The course breaks it into 56 exercises over 16 sittings, about 26 minutes each.
crash, ride, hi-hat, snare, mid tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
16 fills to learn, played 40 times: bars 4, 12, 20, 27, 28, 44 and 34 more.