162 bars of 4/4 at 135 BPM, about 4:49 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 35-37, 41 and 43-45, and 10 more places -- 16.7% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
16 fills to learn, played 29 times: bars 31, 32, 33, 34, 38, 42 and 23 more.
12 more fills are written out on the fills page.
162 bars across 14 sections: 102 keep time, 29 are fills and 10 are stops. The longest unbroken stretch of time is bars 145-162.
135 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
70 out of 100: demanding, mostly on the independence between the hands and the feet. The beat itself is 64 out of 100; the rest of the number is everything around it.
162 bars, about 4:49 at the written tempo. The course breaks it into 49 exercises over 15 sittings, about 28 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
16 fills to learn, played 29 times: bars 31, 32, 33, 34, 38, 42 and 23 more.