124 bars of 4/4 at 140 BPM, about 3:33 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is a 2-bar phrase, played through bars 9-12, 15 and 21-22, and 7 more places -- 19.5% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
6 fills to learn, played 11 times: bars 20, 26, 36, 44, 48, 54 and 5 more.
2 more fills are written out on the fills page.
124 bars across 15 sections: 87 keep time, 11 are fills, 2 are stops and 6 are silent. The longest unbroken stretch of time is bars 5-13.
140 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
68 out of 100: demanding, mostly on the independence between the hands and the feet. The beat itself is 64 out of 100; the rest of the number is everything around it.
124 bars, about 3:33 at the written tempo. The course breaks it into 48 exercises over 14 sittings, about 27 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
6 fills to learn, played 11 times: bars 20, 26, 36, 44, 48, 54 and 5 more.