254 bars of 4/4 at 130 BPM, about 7:48 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is a 2-bar phrase, played through bars 100-101, 104-105 and 108-109, and 4 more places -- 10.5% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
19 fills to learn, played 32 times: bars 9, 15, 17, 19, 23, 26 and 26 more.
15 more fills are written out on the fills page.
255 bars across 22 sections: 153 keep time, 32 are fills, 22 are stops and 27 are silent. The longest unbroken stretch of time is bars 112-132.
130 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
60 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 50 out of 100; the rest of the number is everything around it.
254 bars, about 7:48 at the written tempo. The course breaks it into 84 exercises over 24 sittings, about 26 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
19 fills to learn, played 32 times: bars 9, 15, 17, 19, 23, 26 and 26 more.