115 bars of 4/4 at 135 BPM, about 3:40 of playing, on crash, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 21-23, 25-27 and 35-37, and 7 more places -- 31.1% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
12 fills to learn, played 46 times: bars 4, 6, 7, 8, 9, 10 and 40 more.
10 more fills are written out on the fills page.
115 bars across 7 sections: 48 keep time, 46 are fills, 9 are stops and 9 are silent. The longest unbroken stretch of time is bars 48-52.
135 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
79 out of 100: demanding, mostly on the independence between the hands and the feet. The beat itself is 77 out of 100; the rest of the number is everything around it.
115 bars, about 3:40 at the written tempo. The course breaks it into 32 exercises over 12 sittings, about 25 minutes each.
crash, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
12 fills to learn, played 46 times: bars 4, 6, 7, 8, 9, 10 and 40 more.