55 bars of 4/4 at 140 BPM, about 1:34 of playing, on crash, ride, hi-hat, snare, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 18, 22-23 and 25-27, and 1 more place -- 19.4% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
4 fills to learn, played 6 times: bars 16, 31, 32, 40, 47 and 48.
55 bars across 5 sections: 22 keep time, 6 are fills, 5 are stops and 19 are silent. The longest unbroken stretch of time is bars 17-30.
140 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
44 out of 100 -- a fair first song -- with the independence between the hands and the feet the part that decides it. The beat itself is 34 out of 100; the rest of the number is everything around it.
55 bars, about 1:34 at the written tempo. The course breaks it into 13 exercises over 4 sittings, about 26 minutes each.
crash, ride, hi-hat, snare, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
4 fills to learn, played 6 times: bars 16, 31, 32, 40, 47 and 48.