113 bars of 4/4 at 145 BPM, about 3:07 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 9-11, 13-15 and 21, and 4 more places -- 11.5% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
9 fills to learn, played 17 times: bars 24, 25, 26, 27, 28, 29 and 11 more.
5 more fills are written out on the fills page.
113 bars across 18 sections: 57 keep time, 17 are fills, 12 are stops and 9 are silent. The longest unbroken stretch of time is bars 9-16.
145 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
63 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 42 out of 100; the rest of the number is everything around it.
113 bars, about 3:07 at the written tempo. The course breaks it into 46 exercises over 13 sittings, about 27 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
9 fills to learn, played 17 times: bars 24, 25, 26, 27, 28, 29 and 11 more.