The beat the song is built on is one bar, played through bars 44-56, 59-72 and 80-91, and 1 more place -- 28.4% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
It is played on hi-hat, snare and kick, counted in sixteenth notes. On its own it scores 23 out of 100 -- straightforward -- and the thing that decides that is the speed of the hand keeping time.
The whole song is 50 out of 100, so the beat is not the hard part: what costs you is everything around it, the joins and the fills.
The room opens this beat on its simplest reduction, at 131 BPM, and adds the notes back a rung at a time -- 3 of them. Nothing is a matter of opinion: each rung has a tempo to reach and a gate to pass before the next one.
Tempo goes 131, 152 and 174 BPM, and the gate at each one is 8 loops in a row with no wrong note and no wobble in the time.
PRACTISE THIS BEAT →A one-bar groove on hi-hat, snare and kick, in 4/4 at 174 BPM, counted in sixteenth notes. It is written out above, and it covers 28.4% of the bars the kit plays.
Bars 44-56, 59-72, 80-91 and 163-177. The time is kept on the silence to start with, and it changes 22 times over the song.
23 out of 100 on its own -- straightforward. The song as a whole is 50 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet.