189 bars of 4/4 at 110 BPM, about 6:52 of playing, on crash, ride, hi-hat, snare, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 9-15, 18-23 and 36, and 12 more places -- 20.6% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
12 fills to learn, played 26 times: bars 16, 26, 34, 50, 60, 68 and 20 more.
8 more fills are written out on the fills page.
189 bars across 18 sections: 103 keep time, 26 are fills, 31 are stops and 14 are silent. The longest unbroken stretch of time is bars 163-173.
110 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
61 out of 100, a step up from a first song, and the work is in how fine the subdivision is. The beat itself is 29 out of 100; the rest of the number is everything around it.
189 bars, about 6:52 at the written tempo. The course breaks it into 57 exercises over 17 sittings, about 27 minutes each.
crash, ride, hi-hat, snare, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
12 fills to learn, played 26 times: bars 16, 26, 34, 50, 60, 68 and 20 more.