125 bars of 4/4 at 120 BPM, about 3:57 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 33-35, 37-39 and 41-43 -- 7.9% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
18 fills to learn, played 39 times: bars 18, 19, 20, 21, 25, 28 and 33 more.
16 more fills are written out on the fills page.
125 bars across 18 sections: 58 keep time, 39 are fills, 13 are stops and 11 are silent. The longest unbroken stretch of time is bars 1-14.
120 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
67 out of 100: demanding, mostly on the independence between the hands and the feet. The beat itself is 45 out of 100; the rest of the number is everything around it.
125 bars, about 3:57 at the written tempo. The course breaks it into 52 exercises over 14 sittings, about 26 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
18 fills to learn, played 39 times: bars 18, 19, 20, 21, 25, 28 and 33 more.