127 bars of 4/4 at 120 BPM, about 4:10 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is a 2-bar phrase, played through bars 99-120 -- 20% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
2 fills to learn, played 6 times: bars 1, 2, 28, 29, 30 and 31.
1 more fill is written out on the fills page.
128 bars across 14 sections: 86 keep time, 6 are fills and 18 are silent. The longest unbroken stretch of time is bars 97-119.
120 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
81 out of 100. Hard, and what makes it hard is the independence between the hands and the feet. The beat itself is 65 out of 100; the rest of the number is everything around it.
127 bars, about 4:10 at the written tempo. The course breaks it into 44 exercises over 17 sittings, about 24 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
2 fills to learn, played 6 times: bars 1, 2, 28, 29, 30 and 31.