114 bars of 4/4 at 143 BPM, about 3:11 of playing, on crash, ride, hi-hat, snare, high tom, mid tom and kick.
The beat the song is built on is one bar, played through bars 9-11, 17-23 and 25-30, and 8 more places -- 30.7% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
6 fills to learn, played 9 times: bars 7, 32, 33, 37, 40, 50 and 3 more.
2 more fills are written out on the fills page.
114 bars across 10 sections: 85 keep time, 9 are fills and 5 are stops. The longest unbroken stretch of time is bars 99-114.
143 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
56 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 18 out of 100; the rest of the number is everything around it.
114 bars, about 3:11 at the written tempo. The course breaks it into 32 exercises over 8 sittings, about 28 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
6 fills to learn, played 9 times: bars 7, 32, 33, 37, 40, 50 and 3 more.