157 bars of 4/4 at 120 BPM, about 5:15 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 13-15, 17-19 and 25-27, and 13 more places -- 26.9% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
8 fills to learn, played 14 times: bars 1, 2, 3, 55, 56, 57 and 8 more.
5 more fills are written out on the fills page.
157 bars across 20 sections: 107 keep time, 14 are fills, 5 are stops and 1 is silent. The longest unbroken stretch of time is bars 72-85.
120 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
96 out of 100. Hard, and what makes it hard is the independence between the hands and the feet. The beat itself is 81 out of 100; the rest of the number is everything around it.
157 bars, about 5:15 at the written tempo. The course breaks it into 57 exercises over 21 sittings, about 26 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
8 fills to learn, played 14 times: bars 1, 2, 3, 55, 56, 57 and 8 more.