168 bars of 4/4 at 136 BPM, about 4:56 of playing, on crash, hi-hat, snare, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 34-40, 42-43 and 45-46, and 3 more places -- 22.4% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
8 fills to learn, played 14 times: bars 31, 47, 48, 75, 108, 112 and 8 more.
4 more fills are written out on the fills page.
168 bars across 14 sections: 81 keep time, 14 are fills, 41 are stops and 16 are silent. The longest unbroken stretch of time is bars 55-70.
136 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
41 out of 100 -- a fair first song -- with the independence between the hands and the feet the part that decides it. The beat itself is 33 out of 100; the rest of the number is everything around it.
168 bars, about 4:56 at the written tempo. The course breaks it into 52 exercises over 13 sittings, about 27 minutes each.
crash, hi-hat, snare, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
8 fills to learn, played 14 times: bars 31, 47, 48, 75, 108, 112 and 8 more.