114 bars of 4/4 at 115 BPM, about 3:58 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is a 2-bar phrase, played through bars 71-74 and 77-78 -- 5.3% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
6 fills to learn, played 100 times: bars 1, 2, 3, 4, 5, 6 and 94 more.
6 more fills are written out on the fills page.
114 bars across 3 sections: 9 keep time, 100 are fills and 2 are stops. The longest unbroken stretch of time is bars 103-107.
115 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
75 out of 100: demanding, mostly on the independence between the hands and the feet. The beat itself is 62 out of 100; the rest of the number is everything around it.
114 bars, about 3:58 at the written tempo. The course breaks it into 19 exercises over 9 sittings, about 30 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
6 fills to learn, played 100 times: bars 1, 2, 3, 4, 5, 6 and 94 more.