142 bars of 4/4 at 145 BPM, about 3:55 of playing, on crash, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 21, 23-25 and 27, and 8 more places -- 15.8% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
12 fills to learn, played 20 times: bars 4, 8, 18, 19, 20, 22 and 14 more.
8 more fills are written out on the fills page.
142 bars across 12 sections: 83 keep time, 20 are fills, 20 are stops and 9 are silent. The longest unbroken stretch of time is bars 54-64.
145 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
55 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 30 out of 100; the rest of the number is everything around it.
142 bars, about 3:55 at the written tempo. The course breaks it into 40 exercises over 10 sittings, about 30 minutes each.
crash, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
12 fills to learn, played 20 times: bars 4, 8, 18, 19, 20, 22 and 14 more.