91 bars of 4/4 at 119 BPM, about 3:04 of playing, on crash, ride, hi-hat, snare, floor tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 80-91 -- 15.8% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
95 bars across 17 sections: 73 keep time and 19 are silent. The longest unbroken stretch of time is bars 34-47.
119 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
55 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 27 out of 100; the rest of the number is everything around it.
91 bars, about 3:04 at the written tempo. The course breaks it into 26 exercises over 8 sittings, about 25 minutes each.
crash, ride, hi-hat, snare, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.