114 bars of 4/4 at 148 BPM, about 3:05 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is a 2-bar phrase, played through bars 33-34, 37-38 and 78, and 4 more places -- 11.6% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
15 fills to learn, played 64 times: bars 2, 3, 4, 6, 7, 8 and 58 more.
11 more fills are written out on the fills page.
114 bars across 11 sections: 31 keep time, 65 are fills, 9 are stops and 2 are silent. The longest unbroken stretch of time is bars 26-31.
148 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
66 out of 100: demanding, mostly on the independence between the hands and the feet. The beat itself is 27 out of 100; the rest of the number is everything around it.
114 bars, about 3:05 at the written tempo. The course breaks it into 44 exercises over 13 sittings, about 27 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
15 fills to learn, played 64 times: bars 2, 3, 4, 6, 7, 8 and 58 more.