70 bars of 3/4 -- not four -- at 129 BPM, 1:24 of playing on crash, hi-hat, snare, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 5-7, 9-11 and 13-15, and 4 more places -- 33.3% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
10 fills to learn, played 16 times: bars 8, 12, 16, 20, 23, 25 and 10 more.
6 more fills are written out on the fills page.
70 bars across 5 sections: 36 keep time, 16 are fills, 10 are stops and 4 are silent. The longest unbroken stretch of time is bars 31-36.
129 BPM, in 3/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
63 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 42 out of 100; the rest of the number is everything around it.
70 bars, about 1:24 at the written tempo. The course breaks it into 23 exercises over 7 sittings, about 28 minutes each.
crash, hi-hat, snare, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
10 fills to learn, played 16 times: bars 8, 12, 16, 20, 23, 25 and 10 more.