149 bars of 4/4 at 120 BPM, about 4:58 of playing, on crash, ride, snare, high tom, mid tom, floor tom and kick.
37 out of 100 -- a fair first song -- with the independence between the hands and the feet the part that decides it.
silence through bars 1-25, snare through bars 26-41, ride through bars 42-61, snare through bars 62-77 and ride through bars 78-149.
The beat the song is built on is a 2-bar phrase, played through bars 48-49, 56-61 and 84-85, and 4 more places -- 22% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
48 49
1e+a2e+a3e+a4e+a 1e+a2e+a3e+a4e+a
RD |x---x---x---x---|x---x-----------|
SD |--------r-------|----------------|
T1 |----------------|--------x-------|
T2 |----------------|----------x-----|
FT |----------------|------------x---|
BD |x-------------x-|--x-x-----------|7 fills to learn, played 10 times: bars 99, 121, 126, 130, 134, 138 and 4 more.
It cuts the song into 29 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
120 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
37 out of 100 -- a fair first song -- with the independence between the hands and the feet the part that decides it. The beat itself is 30 out of 100; the rest of the number is everything around it.
149 bars, about 4:58 at the written tempo. The course breaks it into 29 exercises over 7 sittings, about 26 minutes each.
crash, ride, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
7 fills to learn, played 10 times: bars 99, 121, 126, 130, 134, 138 and 4 more.