149 bars of 4/4 at 120 BPM, about 4:58 of playing, on crash, ride, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is a 2-bar phrase, played through bars 48-49, 56-61 and 84-85, and 4 more places -- 22% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
7 fills to learn, played 10 times: bars 99, 121, 126, 130, 134, 138 and 4 more.
3 more fills are written out on the fills page.
149 bars across 10 sections: 102 keep time, 10 are fills, 7 are stops and 22 are silent. The longest unbroken stretch of time is bars 25-38.
120 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
37 out of 100 -- a fair first song -- with the independence between the hands and the feet the part that decides it. The beat itself is 30 out of 100; the rest of the number is everything around it.
149 bars, about 4:58 at the written tempo. The course breaks it into 29 exercises over 7 sittings, about 26 minutes each.
crash, ride, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
7 fills to learn, played 10 times: bars 99, 121, 126, 130, 134, 138 and 4 more.