140 bars of 4/4 at 144 BPM, about 3:53 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 10-12 -- 2.4% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
12 fills to learn, played 48 times: bars 3, 13, 14, 15, 16, 17 and 42 more.
8 more fills are written out on the fills page.
140 bars across 19 sections: 63 keep time, 48 are fills, 8 are stops and 14 are silent. The longest unbroken stretch of time is bars 95-106.
144 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
71 out of 100: demanding, mostly on the independence between the hands and the feet. The beat itself is 93 out of 100; the rest of the number is everything around it.
140 bars, about 3:53 at the written tempo. The course breaks it into 45 exercises over 14 sittings, about 25 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
12 fills to learn, played 48 times: bars 3, 13, 14, 15, 16, 17 and 42 more.