121 bars of 4/4 at 133 BPM, about 3:38 of playing, on crash, hi-hat, snare, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is a 2-bar phrase, played through bars 5-6, 9-16 and 40, and 6 more places -- 24.3% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
9 fills to learn, played 13 times: bars 30, 32, 34, 36, 56, 60 and 7 more.
5 more fills are written out on the fills page.
121 bars across 15 sections: 54 keep time, 13 are fills, 40 are stops and 6 are silent. The longest unbroken stretch of time is bars 1-16.
133 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
58 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 52 out of 100; the rest of the number is everything around it.
121 bars, about 3:38 at the written tempo. The course breaks it into 43 exercises over 12 sittings, about 27 minutes each.
crash, hi-hat, snare, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
9 fills to learn, played 13 times: bars 30, 32, 34, 36, 56, 60 and 7 more.