114 bars of 4/4 at 120 BPM, about 3:46 of playing, on crash, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is a 2-bar phrase, played through bars 8-9, 12-13 and 98-99, and 3 more places -- 10.6% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
10 fills to learn, played 15 times: bars 19, 23, 27, 31, 32, 40 and 9 more.
7 more fills are written out on the fills page.
114 bars across 11 sections: 75 keep time, 15 are fills, 10 are stops and 1 is silent. The longest unbroken stretch of time is bars 98-112.
120 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
69 out of 100: demanding, mostly on the independence between the hands and the feet. The beat itself is 51 out of 100; the rest of the number is everything around it.
114 bars, about 3:46 at the written tempo. The course breaks it into 52 exercises over 18 sittings, about 25 minutes each.
crash, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
10 fills to learn, played 15 times: bars 19, 23, 27, 31, 32, 40 and 9 more.