86 bars of 4/4 at 120 BPM, about 2:52 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 36-38, 40-42 and 56-58, and 3 more places -- 23.7% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
9 fills to learn, played 28 times: bars 21, 23, 25, 26, 29, 30 and 22 more.
5 more fills are written out on the fills page.
86 bars across 13 sections: 32 keep time, 29 are fills, 4 are stops and 10 are silent. The longest unbroken stretch of time is bars 11-14.
120 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
45 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 32 out of 100; the rest of the number is everything around it.
86 bars, about 2:52 at the written tempo. The course breaks it into 28 exercises over 7 sittings, about 26 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
9 fills to learn, played 28 times: bars 21, 23, 25, 26, 29, 30 and 22 more.