The beat the song is built on is one bar, played through bars 65-68, 70 and 72-73, and 18 more places -- 19.2% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
It is played on crash, hi-hat, snare and kick, counted in sixteenth notes. On its own it scores 19 out of 100 -- straightforward -- and the thing that decides that is how often it moves around the kit.
The whole song is 49 out of 100, so the beat is not the hard part: what costs you is everything around it, the joins and the fills.
The room opens this beat on its simplest reduction, at 131 BPM, and adds the notes back a rung at a time -- 3 of them. Nothing is a matter of opinion: each rung has a tempo to reach and a gate to pass before the next one.
Tempo goes 131, 153 and 175 BPM, and the gate at each one is 8 loops in a row with no wrong note and no wobble in the time.
PRACTISE THIS BEAT →A one-bar groove on crash, hi-hat, snare and kick, in 3/4 at 175 BPM, counted in sixteenth notes. It is written out above, and it covers 19.2% of the bars the kit plays.
Bars 65-68, 70, 72-73 and 76-79, and 17 more places. The time is kept on the silence to start with, and it changes 23 times over the song.
19 out of 100 on its own -- straightforward. The song as a whole is 49 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet.