173 bars of 4/4 at 130 BPM, about 5:17 of playing, on crash, ride, snare, high tom, mid tom and kick.
The beat the song is built on is a 2-bar phrase, played through bars 8-10, 12-14 and 16-18 -- 18.4% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
5 fills to learn, played 13 times: bars 2, 4, 19, 161, 162, 167 and 7 more.
1 more fill is written out on the fills page.
194 bars across 5 sections: 26 keep time, 13 are fills, 8 are stops and 145 are silent. The longest unbroken stretch of time is bars 6-18.
130 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
52 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 86 out of 100; the rest of the number is everything around it.
173 bars, about 5:17 at the written tempo. The course breaks it into 18 exercises over 6 sittings, about 26 minutes each.
crash, ride, snare, high tom, mid tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
5 fills to learn, played 13 times: bars 2, 4, 19, 161, 162, 167 and 7 more.