102 bars of 4/4 at 122 BPM, about 3:21 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 3-5, 7-9 and 31-33, and 6 more places -- 27.3% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
7 fills to learn, played 21 times: bars 25, 26, 30, 42, 46, 49 and 15 more.
3 more fills are written out on the fills page.
102 bars across 11 sections: 66 keep time, 21 are fills, 1 is a stop and 3 are silent. The longest unbroken stretch of time is bars 68-81.
122 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
59 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 53 out of 100; the rest of the number is everything around it.
102 bars, about 3:21 at the written tempo. The course breaks it into 34 exercises over 10 sittings, about 26 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
7 fills to learn, played 21 times: bars 25, 26, 30, 42, 46, 49 and 15 more.