146 bars of 4/4 at 130 BPM, about 4:30 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 10-11, 13-15 and 18-20, and 5 more places -- 14.5% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
13 fills to learn, played 33 times: bars 7, 36, 40, 48, 84, 94 and 27 more.
9 more fills are written out on the fills page.
146 bars across 17 sections: 82 keep time, 33 are fills, 4 are stops and 15 are silent. The longest unbroken stretch of time is bars 65-83.
130 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
66 out of 100: demanding, mostly on the independence between the hands and the feet. The beat itself is 51 out of 100; the rest of the number is everything around it.
146 bars, about 4:30 at the written tempo. The course breaks it into 52 exercises over 15 sittings, about 27 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
13 fills to learn, played 33 times: bars 7, 36, 40, 48, 84, 94 and 27 more.