100 bars of 4/4 at 130 BPM, about 2:54 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 85-100 -- 16% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
5 fills to learn, played 12 times: bars 8, 12, 16, 30, 34, 38 and 6 more.
1 more fill is written out on the fills page.
100 bars across 7 sections: 61 keep time, 14 are fills and 18 are stops. The longest unbroken stretch of time is bars 86-100.
130 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
69 out of 100: demanding, mostly on how much of it falls off the beat. The beat itself is 24 out of 100; the rest of the number is everything around it.
100 bars, about 2:54 at the written tempo. The course breaks it into 30 exercises over 10 sittings, about 24 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
5 fills to learn, played 12 times: bars 8, 12, 16, 30, 34, 38 and 6 more.