161 bars, 21:25, at 30 BPM: slow enough that every note is exposed. Crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick and nothing else.
The beat the song is built on is one bar, played through bars 25, 31 and 37-39, and 16 more places -- 27% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
12 fills to learn, played 30 times: bars 2, 3, 6, 9, 10, 16 and 24 more.
8 more fills are written out on the fills page.
161 bars across 17 sections: 110 keep time, 30 are fills, 3 are stops and 9 are silent. The longest unbroken stretch of time is bars 21-35.
30 BPM, in 4/4, with the time kept in thirty-second notes. Slow enough to hear every mistake, which is why the room lets you sit at the written tempo rather than under it.
73 out of 100: demanding, mostly on the independence between the hands and the feet. The beat itself is 49 out of 100; the rest of the number is everything around it.
161 bars, about 21:25 at the written tempo. The course breaks it into 42 exercises over 12 sittings, about 27 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
12 fills to learn, played 30 times: bars 2, 3, 6, 9, 10, 16 and 24 more.